Katherine "Kissin' Kate" Barlow (
ikissdhimbck) wrote2009-01-10 09:46 pm
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OOM: Barlow estate: 1881
It was mid-morning when Doc rode out from Green Lake on his new paint, with saddlebags a little fuller since staying the night previous with the Hawthorn's. Millicent had packed him a lunch, though it was really just bits and pieces he could eat in the saddle: pulled pork wrapped in brown paper; fresh bread; and rhubarb jam.
It takes a little over an hour and a half, once heading out north from the road behind the old church, to get to the little barbwire fence the doctor had said would lead him into the Barlow's estate.
The barley harvest is already past, and there can be seen a few men out among the golden fields, threshing the barley hay and getting it divided and tied off for feed, which they will later carry up the gently sloping hill to the barn for the winter. They pause and watch Doc as he rides up the path, exchanging nods as he passes.
Closer to the farmhouse, on the opposing side of the road, grows rows of corn, some new and green, but most nearly ripe. There's a silo, back behind a large red barn, and several corrals straight ahead.
As Doc draws near, two hounds come barreling out from the vicinity of the barn, baying loudly as they trip over each other to get to Doc. They pass a gentleman who is crouched near a fence, fixing a bit of barbing. He tips his head back to peer from beneath the wide brim of his hat, squinting down the path at the young man on the paint horse. He straightens, calmly wiping sweat from his brow, and walks to join the small convoy.
.
It takes a little over an hour and a half, once heading out north from the road behind the old church, to get to the little barbwire fence the doctor had said would lead him into the Barlow's estate.
The barley harvest is already past, and there can be seen a few men out among the golden fields, threshing the barley hay and getting it divided and tied off for feed, which they will later carry up the gently sloping hill to the barn for the winter. They pause and watch Doc as he rides up the path, exchanging nods as he passes.
Closer to the farmhouse, on the opposing side of the road, grows rows of corn, some new and green, but most nearly ripe. There's a silo, back behind a large red barn, and several corrals straight ahead.
As Doc draws near, two hounds come barreling out from the vicinity of the barn, baying loudly as they trip over each other to get to Doc. They pass a gentleman who is crouched near a fence, fixing a bit of barbing. He tips his head back to peer from beneath the wide brim of his hat, squinting down the path at the young man on the paint horse. He straightens, calmly wiping sweat from his brow, and walks to join the small convoy.
.
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Honored.
"Jay Gordon, sir," he replies, voice coming to him easy and confident, now that he's gotten over the initial bunch of nerves that sprung coiled in his chest.
(Even though he's damn well sure there will be more.)
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Well, shoot. He's just a pup!
"Samuel Barlow," he offers kindly, hooking his thumbs in his belt loops when they break the handshake. "You come lookin' for work you said, Jay?"
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It's obvious from his demeanor that he's a fast learner, even if he is young, and would probably try just damn near anything once if the boss asked him to.
The horse nudges his rider in the back of the head, tipping his hat forward. Doc fixes it and he glances over at his shoulder as if to say cut it out before he returns his attention to her father.
"I know it's late in the year'n all, for hires..." he trails off momentarily, not sure what to say. So he wisely stops talking. He doesn't want to seem desperate, after all.
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The kid is eager, sure, but he's got spunk. Samuel doesn't doubt he could do a job well, if given the chance.
He smirks at the exchange between horse and rider. "That's a fine lookin' boy you have there," he comments, jerking his chin over Jay's shoulder to the paint. "What's he, about three years? Gotta nice coat."
It's easy and conversational (something to fill the dead space while he considers his circumstances carefully).
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What do you want, more than anything?
To see her. But you can't name the horse after her, that'll just get eyebrows.
What do you want, after that?
Paradise. El Dorado.
(The first name that comes to his mind is 'Cortés', but he changes it around to the easier to pronounce version of 'Cortez' before he actually speaks.)
"Thank you." He glances over his shoulder and looks at the horse. Even for only having him a few days, well, he has to admit that he's become quite attached to the gelding. He smiles a bit and nods. "And yessir, just 'bout three years. Name's Cortez, after the explorer. Figured if I was gonna be travelin' 'round a bit on him, might as well give him a name to fit the bill."
Doc strokes the horse's proud nose gently, before he turns back to Samuel.
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"Cortez."
The horse snorts softly in response, and Samuel nods his head, once.
"Well," he begins, taking a step back to stand akimbo, eyes on the dirt before he squints up at Jay. "Tell you the truth, I wasn't lookin' to hire any more folk this year."
Beat.
"But, I can see you could use the work. Could probably stand a night or two in a clean bed, too."
He tips his hat back, off his head, and peers out into the fields over Jay's shoulder, rubbing his dirty brown hand through his sunlight-colored hair. After a moment, he makes a loose gesture towards the corn crops.
"Got the corn comin' in. There's a few fences that need mending, too.
"Said you knew your way around livestock?"
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He's never worked corn, before, but he saw it done a time or two. Plus, he can figure it out quick enough. Especially if it means staying on for a spell.
Doc shifts his feet a little, fingers idly adjusting the grip he has on the horse's reins.
"I promise you, Mr. Barlow, that I'll do what y'ask, and how y'want it done."
He'll work himself to death if he has to - he knows he won't have to, but still. It's obvious in the lines on his face he's no stranger to long, long days.
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"And I won't make you do any of the cooking," he laughs, pulling the boy forward gently as he turns his body towards the barn. "We've got us a few cooks, already. Though, I hope you do bring an appetite to the table.
"C'mon. Let's get your boy taken care of, then I can show you around the farm a bit."
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Somehow he manages to hide the grin that is tugging at his chest, his heart beating just a bit faster.
He said yes. That means he don't think you're all that bad.
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"Bring home 'nother stray, boss?"
If there's a moment's confusion over whether he means the horse or the young man, the tone of his voice should quickly clear that up.
(He didn't mean the horse.)
Samuel doesn't answer him. Instead, he turns his attention to Jay, jerking his head toward the ranch hand.
"This is Jim. He's the stable master, and a bit of a bastard."
That earns an amused snort from the other man, who's still working at that knot.
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"Pleasure."
He nods his greeting.
(He's the new guy. That means you catch flack until you've earned respect. Until then, you bust your ass and don't get in the way.)
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"Yeah."
Once the introductions have been exchanged (both for the men and the horse), Jim gets a clean stall ready for Cortez while Samuel shows Jay where the tack and feed is.
Once Cortez is watered and clean, Samuel Barlow can continue Jay's tour of the ranch.
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And then it's back to the tour.
His eyes are making mental notes of everything, trying to commit the entire scene to memory.
"I saw barley on the way in," he comments. "And y'got a good sized corn crop. You work anything else, field wise?"
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He gestures out ahead, to where a dirt lane winds off past the corn fields.
"Raise some wheat, too, but I mostly breed. You'll see our neighbors got most of the richer crops, down the way. Cotton and the like."
There's an aggravated nicker, and the sound of hooves, and that's the only warning the men get before they have to pull up short, a horse and rider blocking their path and, momentarily, the sun overhead.
"Who's this?"
The voice is, unmistakeably, female.
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Until they are interrupted.
The voice is indeed, unmistakeably female, and familiar, as he stops walking and glances up at the silhouetted horse and rider, the face looking down at them.
(There's that coil of nerves in his stomach again.)
"Howdy, Miss."
Manners and all. He tips his hat back slightly.
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"Katie."
At length, she glances to her father.
"This here is Jay Gordon. Mr. Gordon's going to be helping out around the farm for a spell," he tells her, something tight in his voice. Given the intent look on his face, it's likely something along the lines of 'Now please don't go starting trouble.'
Her eyes flick back to 'Jay,' and given that she can't currently curtsy, she lowers her head in greeting instead. "Mr. Gordon."
There's a pause while Samuel chews on his bottom lip.
"You about ready to head in?"
She looks nearly affronted by the suggestion.
There's another please hanging in his eyes, and she sighs softly and nods.
"Suppose Margaret could use some help in the kitchen," she murmurs, her horse stepping impatiently as she keeps her reined in. "If you'll excuse me, Mr. Gordon."
The bite in her eyes has not dissipated, but she is, at least, polite.
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(And so does the horse.)
The exchange between father and daughter is observed, and so is the way she keeps that bite in her eyes as she studies him. She is indeed polite, even if she'd rather be riding like hell across the desert or through those fields her daddy owns.
He lifts a hand to the brim of his hat. "Of course, Miss Barlow," he tips his head politely, to return the show of manners.
(Even if he knows she could probably give a damn less.)
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Samuel scratches at his brow absently with his thumb again. There's an almost embarrassed little smirk tugging at his lips, as he tries to find something to fill the silence.
"My daughter," he offers, likely needlessly. "Now, I know what you must be thinking."
A girl Katherine's age in slacks and cowboy boots, hair loose around her shoulders, just strutting on up to the men as she did, isn't exactly commonplace in 1881. For a variety of reasons.
"But she's a good girl," he sighs.
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"She reminds me of my kid sister," he admits. "That same bit of spunk and fire in her eyes. Can't tame 'em, as much as you might try."
Granted, growing up with a pack of brothers teaching you everything from how to fish to how to fight, despite their mother's protests, probably doesn't help much in that regard.
Doc offers the older man a small, knowing smile. "She's settled down, now, a bit."
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The two men walk, slowly.
"She doesn't have a mother around," he admits, softly. "Not for a long time, now."
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But you do just fine.
He focuses his eyes on the fence-line.
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But it's not true.
"She indulges me, though," he shrugs, smiling tautly.
He switches gears then, leading Jay through the basics of the farm. As they follow that fence-line, they eventually come to the corrals he might have seen on his ride up. There's a good-sized field, where horses are grazing, and nearer the barn is the pig pen. The goats are also penned up, but the chickens are loose and wandering the entire estate.
It also gives Samuel the opportunity to introduce Jay to the various other hands working today, and explain wages and accommodations to the boy.
Nearer the house, adjacent to the barn, are the bunks where most of the boys sleep.
(Because it just wouldn't do to have them in the house, you see.)
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Each introduction goes pretty well, and so does the explanation on the wages he'll get for his work.
(He'd work for free, if Barlow wanted him to prove himself.)
He's well aware of the the fact that he won't be staying in the house. He doesn't mind it. Tunstall had the same set-up on his ranch, and even after so much time in Milliways with his own room, the prospect of something familiar is actually welcome.
Plus? It's an actual bed. Not the ground or a patch of grass alongside the road.
This automatically makes it better than a good majority of the last few years, which is something Samuel will probably notice, if he's paying close attention.
(Which Doc does not doubt the older man is.)
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Dinner, too, will be in the main house, not from some day-old pot heated outside.
Mr. Barlow is, indeed, paying attention to Jay as they move along, and the look on his young face does make him smile a bit. He likes the kid already, so help him god.
"In the mornin' you can saddle up your mount and come work on the fences with John and I. It'll give you the opportunity to see more of the property."
And it'll give Samuel the opportunity to keep Jay close, see how he works. But he'd never tell him that.
"Dinner's in about an hour. Why don't you get yourself settled and cleaned up. You can have Jim show you in to the house when it's time."
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This is her home. This is her father. She grew up here. I want to remember as much of it as I can, and write it all down, big things and the little things 'bout the place. I want t'get to know it like she does.
A pause, and he offers the older man a hand to shake, with a slight nod of his head. "I'll do that. Thank you, sir."
Once they part ways, he'll head back to the stables to fetch his satchel and the things out of his saddlebags, find himself an open spot in the bunkhouse to put his stuff down, get himself settled. He'll dust off and wash up, and comb his hair back a bit before finding Jim prior to heading in for dinner.
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