Katherine "Kissin' Kate" Barlow (
ikissdhimbck) wrote2012-06-20 10:39 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Entry tags:
OOM: Down in the East Texas Town of Galveston... -- 1888 -- for X-23
Kate's door opens out into her hotel room. It's nice — real nice, to be honest. Four poster bed, basin, writing desk, carved oak bureau and vanity. Empire draperies in rich reds and golds; pristine horsehair plaster walls.
"C'mon in."
Kate sets her things down on the bed, and turns to Miss X. Standing akimbo, she grins.
"Shall we see what the Miss picked out?"
"C'mon in."
Kate sets her things down on the bed, and turns to Miss X. Standing akimbo, she grins.
"Shall we see what the Miss picked out?"
no subject
She's tried to figure that out once or twice.
It's best to save herself the aggravation.
"But anybody who's smart surely won't. An' anybody who's not won't take long t'figure it out."
She steps to the side, drawing X's attention to the standing mirror by her wardrobe.
"What d'you think? How d'you feel?"
no subject
Then, apparently deciding that is acceptable, she turns to look in the mirror, head tilting ever so slightly.
And after a few moments of intent study --
"I like it."
Truer words.
no subject
"Good. Ready t'go, then?"
She can't remember the last time she felt this — excited.
She didn't realize how much she'd missed having a friend on her own turf.
no subject
Then --
"Yes. I am ready."
She is pleased about this trip, too. Even though it might be more difficult to detect.
Her face does not lend itself to obvious expressions.
no subject
The hotel is open, grand for the time period. Kate's second-floor room opens up to an atrium, the hallway they step into supported by porticoes. Beyond the banister, the sounds from the first-floor saloon drift to their ears. Voices, a piano, glasses and silverware clinking. Kate leads X around to the stairwell.
There are folks dining, drinking, gambling, making light; there are finely dressed gentlemen and ladies at some of the tables, and working-class men with working girls on their knees at others. The spirit of the room is lively, and most seem to be in good spirits.
no subject
-- or any other weapon.
Conviviality happens to other people, apparently.
But at least she looks comparatively relaxed?
no subject
Some of the looks are friendly, others are — not, strictly speaking.
"Y'want a drink?"
Kate nods toward the bar while leading the way to the lobby, tossing in a reassuring smile.
"They've got root beer."
no subject
The other kind of look? That gets treated with her usual flat, affectless gaze.
It seems only fair.
She turns to look at Kate when her friend asks a question, though.
"If it will not be problematic. For you."
That is important.
"Please."
no subject
"Any other day'a the week, I've got lots of problems. But not today."
She leads the way to the bar, tossing X another grin.
"Today you call the shots."
She winks, and sets her palms flat on the bar, waiting for the keep to head their way.
"Afternoon, Miss James."
"Howdy, Carl. You're lookin' well. Could we get two sarsaparillas?"
"'Course. Anything for you ladies."
There's extra warmth in the way he smiles at Kate; however, X is afforded a polite nod before he moves off again.
no subject
Pheremones are difficult to escape.
But at least she's learned not to mention them?
"You are allowed to call some, too," X offers, flicking a sideways look at Kate.
"It is your world."
And X does not want to misstep.
no subject
"I know. You ain't familiar with the way things work here."
Kate won't let her misstep. But she's honestly not all that worried about it.
"I thought maybe stoppin' for a drink would give y'time t'look around an' get a feel for things, too. Ask questions, pick up on social graces — whatever makes y'feel most comfortable."
Carl returns with two mugs of sarsaparilla served at room temperature, and engages in pleasantries as Kate fishes out her coin.
"Don't believe I've seen your friend before."
He smiles at X.
no subject
"A lot."
It keeps her busy.
And, considering Milliways, it is very, very true.
no subject
"She keeps a ranch down in San Patricio," Kate grins, tucking her purse away. "It calls for a lotta movin' an' shakin'."
"Well," he says with an exaggerated drawl. "A pair of successful ladies like you's gonna turn this place on its ear."
"I surely hope so."
Kate's smile is diamond sharp and friendly. She raises her glass to Miss X, checking to see how she takes to the story.
Carl slips off to help another customer.
no subject
"People will not ask for specifics? About the ranch."
Beat.
"And you will tell me where San Patricio is?"
Maps are X's friend.
no subject
She doesn't think X will have any problems. That second question, though, makes her chuckle.
"It's t'the south. I'll show you a map when we get a chance."
Beat.
"Ah, by the bye — how would y'like me t'introduce you?"
no subject
X's response is prompt.
"I have used it before."
Thanks, Bela.
no subject
"Laura Talbot."
A fond, yet wistful look crosses her face. She's immediately reminded of Bela, her once very close friend, and wonders how she is. Perhaps Mr. Chandler would know.
"You got it, sugar. Miss Talbot it is. Or, perhaps, Missus Talbot?"
no subject
Then --
"One will attract less attention? Here."
X does not know.
no subject
"But it also comes with a whole lot more story."
And Kate never really fussed over attaching herself to a man, real or otherwise.
no subject
"Miss is okay. Here."
Usually X dislikes certain kinds of appellations on principle.
no subject
Kate salutes her with her mug. Sarsaparilla isn't exactly like root beer, but hopefully it's close enough for X's tastes.
At one table not far removed sits a gentleman, and a proper lady in fine skirts, eating her meal with the grace of a dancer. At another, three dusty cattlemen are playing poker and sipping whiskey, despite the late morning hour.
"Galveston's a big port town, so there should be plenty t'do an' see. I figure once we leave here we can mosey on down the street, see what kinda trouble we can get into. There's shops of all sorts, a playhouse, stock yards an' the docks, good number'a saloons — I even think there's a fair in town."
no subject
It is both helpful and sad.
Anyway.
Her attention sharpens at something Kate mentioned.
"That is like a carnival? The fair."
She has fond memories of those, it seems.
(X also takes this time to keep a weather eye on the cattlemen playing poker. Mostly because card games can get heated, even with just the younger X-men.)
no subject
"I reckon so. There'll be booths, people hawkin' wares, givin' demonstrations. I think they got a merry-go-round, but I didn't give things a real hard look."
The cattleman on the far right grumbles, tossing down his hand. The man in the middle looks smug as he gathers up his winnings.
"You interested?"
no subject
"If it will not be problematic for you. Yes."
Beat.
"Please."
Sometimes it is easy to remember to be polite.
Or to try.
no subject
It's a rare look on X, and it suits her just fine.
"I think today's a perfect day t'visit the fair."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)