Katherine "Kissin' Kate" Barlow (
ikissdhimbck) wrote2013-07-13 06:02 pm
Entry tags:
OOM: Stables for Dr. Hannibal Lecter -- Kate's first session
It's late afternoon on a Saturday, and all of Kate's chores have been squared away. Most of the hands are here in the mornings, leaving the afternoons a little less busy, and the evenings even more so. Kate knows today is the day Dr. Lecter will be coming by, and so she's seen to it they'll have a modicum of privacy.
She's left the desk clean and organized, and taken the chair out to the back paddocks. The ones in the far back are being used right now, so she sets the chair near the railing edging the forest near the stables' back exit. The horses not in their stalls are all out front, leaving things pretty empty out here.
Once that's settled, she waits by the side entrance for the good doctor.
She's left the desk clean and organized, and taken the chair out to the back paddocks. The ones in the far back are being used right now, so she sets the chair near the railing edging the forest near the stables' back exit. The horses not in their stalls are all out front, leaving things pretty empty out here.
Once that's settled, she waits by the side entrance for the good doctor.

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"Good afternoon, Miss Barlow," he says.
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She smiles, and reaches out to help him.
"Can I take somma that for you? Ah, I've got a spot picked out for us out back."
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She smiles and nods, leading him through the stables on the way to the back. He'll get an eyeful of the stock they keep here, mostly horses but some unusual animals as well. It's clean and orderly inside — they run a tight ship, and the animals all look healthy and loved.
At the back of the building are the feed and tack rooms, and between them a door large enough to lead the animals through. Out that way are the various riding paths to the paddocks and corrals. She takes him through the first open gate to where the chair was left, and props herself up on the fence.
It's a lovely day. The grass is low and green, some clover and other wildflowers springing up where the horses haven't grazed recently. The chair is simple and wooden, but it should be comfortable enough.
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He looks up at her.
"You feel more comfortable on the fence, rather than in a chair?"
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"I'm used t'hearin' advice while I'm propped on a fence post; s'how I spent most of my young life. So yes, I reckon it is. Might feel like I'm on the spot if y'sit me down in a chair."
And they only have the one chair out here, though she could have scraped up a stool.
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She settles down, clasping her hands in her lap.
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She takes a deep breath.
"Well, I — I've been havin' some trouble sleepin'. For a while. It comes an' goes, but it's gotten worse the last couple'a months. I'm a gunfighter, an' I dream 'bout—"
She looks at her knees.
"—'bout the lives I took. An' the things I've seen. An' the–the blood on my hands."
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Her mouth twists.
"Well, the worst was here, two winters ago. Are y'familiar with Revelations? It was like Armageddon. The sky turned red, an' the Window started crackin', an' things — everythin' went wrong. There were terrors I couldn't begin t'recount, an' then—"
She shakes her head slowly, eyebrows arched.
"This hole opened up in the sky, an' everythin' started fallin' away. Everythin', me — an' then, jus' like that, everythin' sorta jumped. Or hopped, or — skipped? An' it was all over."
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She lets out a mirthless bark of laughter.
"An' then — angry. After it was all over, I jus' got so angry, but I bottled it all up inside. I wanted t'know why it happened, an' everybody else jus' — moved on."
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Maybe she wasn't supposed to. How does a body pick up and move on after a thing like that?
She looks at her hands.
"I've lost my temper a couple'a times. An' sometimes I start cryin', an' I don't know why. I can't stop. An' the harder I try t'push things down, the more my chest aches, an' I can't breathe."
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"Are there times when that is more likely to happen, or does it seem fully random?" he asks.
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"Well, at night, of course. Ah, sometimes somebody'll say somethin' that makes me think 'bout things. I reckon the rest of the time it's outta the blue."
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It takes a moment to steel herself for opening up.
"I went to another friend's world. They told me 'bout a disaster they'd seen there. Aeroplanes had been flown into a pair'a buildin's. A lotta people died, an' they — my friend — were there t'put out the fires an' t'help, but it was — scarrin'. The way he described it reminded me of somma the things that'd happened here. I was fine one minute, an' the next the tears were burstin' from my eyes. I — I reckon the lines jus' started t'blur."
She shakes her head, cleaning the dirt from under her nails just to give her hands something to do. Her fingers are trembling ever so slightly.
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She lifts her eyes to look at him, and her gaze is a little more distant than it had been before.
"Ah. Nervous? A li'l uneasy. An' — kinda sick t'my stomach, like I've got butterflies flappin' around."
It ain't easy being candid, when everything about the way she carries herself is poised to hide the way she feels inside.
"What is a 'trigger' exactly?"
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That makes sense, but —
"No, not quite. I still feel, ah — mostly in control."
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