Katherine "Kissin' Kate" Barlow (
ikissdhimbck) wrote2011-06-25 11:40 am
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AU: Oakville, Texas. The morning after.
**NOTE: This is part of a plot arc that was meant to occur in Milliways over the Spring/Summer of 2011 in Bar Time. It has since become an AU, and should be treated as a standalone plot not associated with any game, and not fitting into Kate's continuity.**
Kate doesn't sleep well. Once she gets to her room and undresses (for the last time tonight), slips on her chemise, and slides into bed (alone), she finds she can't stop playing their conversation out again and again. As she stares at the ceiling in her darkened room, driving their words so deep into her memory it'll be a while yet before she can erase them, she finds herself growing more and more agitated.
Stupid man.
Stupid drink.
Stupid her.
She wakes up later than she normally does. The light outside her window is already starting to yellow, hinting closer to seven o'clock than to six. She rises and gets dressed, mind still cranking, making sure she looks a smidgen more 'respectable' than when they first rode in. More womanly. More businesslike. And by the time she's finished she has a rehearsed speech all set in her mind. This constant arguing is pointless, and she won't do it anymore.
She steps out into the hall, catching sight of her wearied boots on worn and shabby carpeting. The rug was likely quite fine in its day, but like the knotted old wood it's trying to hide it's grown bedraggled and thin. She contemplates knocking on his door and quickly dismisses the idea. Her day doesn't hinge on whether or not Gene Hunt is happy with her.
She makes her way down to the dining room where the senorita from yesterday is cleaning shot glasses and tumblers, asks for a hot breakfast, and sits herself down at a table.
"Has my associate been down this mornin'?"
"No, ma'am. Only you."
Kate nods.
And waits.
By noon Gene still hasn't come down. She wonders if this is ordinary for him, but she's run out of reasons to linger in the bar without looking like a fool. She leaves a few coins for the barmaid, and debates whether she should go on and head out and just hope he gets the idea whenever he comes to. No. Things are mendable, ignorable, and shouldn't be left to fester simply because of their pride.
She scales the stairs and stops in front of his door, takes a breath, and resists rolling her eyes. She reminds herself that this is the last time this is going to happen. By god, this is the last time. And she knocks.
There's no answer.
She knocks again.
Perhaps he slipped out early, and no one noticed he left? She figures he wouldn't bother to tell her, especially if he's upset about last night. He could've just decided to take a look around town, or —
Her heart sinks.
Or he could've gone back to The Bar.
She opens his door — it's unlocked, just like he said it would be — and takes a look inside.
"Gene?"
He's definitely not here. Perhaps it should be comforting to note that his bags are still in the room. It doesn't look like he bothered to pack or clean up. But he's gone, along with his coat, which leaves only two equally unhappy possibilities. He's gone back to Milliways, left, had enough of her and this; or he's out, and likely been out all night. All night with...
She rubs at her forehead. Sighs heavily. Sits on the edge of his bed and just... just sits.
Her rehearsed apology and the amendment she planned to offer suddenly feel utterly childish. She feels utterly childish, for so whole-heartedly believing she was going to set things right. For actually believing, after so many failed attempts to overcome her doubts, her worries, this — this curse she can't ignore despite how fervently people tell her to, that she could get it together long enough not to mess another good thing up.
She considers feeling angry. For the briefest second, she does. But then all she feels is disappointed. It was never going to be part of the deal to let him in enough for her to get hurt. She wasn't going to care when everything went to hell. And eventually it would, she knew that, and that was okay. It is okay. This all blew up in their faces, just like it was always going to. And she's still okay with it. It's fine.
Just don't mind the gnawing ache in the pit of her stomach.
Kate doesn't sleep well. Once she gets to her room and undresses (for the last time tonight), slips on her chemise, and slides into bed (alone), she finds she can't stop playing their conversation out again and again. As she stares at the ceiling in her darkened room, driving their words so deep into her memory it'll be a while yet before she can erase them, she finds herself growing more and more agitated.
Stupid man.
Stupid drink.
Stupid her.
She wakes up later than she normally does. The light outside her window is already starting to yellow, hinting closer to seven o'clock than to six. She rises and gets dressed, mind still cranking, making sure she looks a smidgen more 'respectable' than when they first rode in. More womanly. More businesslike. And by the time she's finished she has a rehearsed speech all set in her mind. This constant arguing is pointless, and she won't do it anymore.
She steps out into the hall, catching sight of her wearied boots on worn and shabby carpeting. The rug was likely quite fine in its day, but like the knotted old wood it's trying to hide it's grown bedraggled and thin. She contemplates knocking on his door and quickly dismisses the idea. Her day doesn't hinge on whether or not Gene Hunt is happy with her.
She makes her way down to the dining room where the senorita from yesterday is cleaning shot glasses and tumblers, asks for a hot breakfast, and sits herself down at a table.
"Has my associate been down this mornin'?"
"No, ma'am. Only you."
Kate nods.
And waits.
By noon Gene still hasn't come down. She wonders if this is ordinary for him, but she's run out of reasons to linger in the bar without looking like a fool. She leaves a few coins for the barmaid, and debates whether she should go on and head out and just hope he gets the idea whenever he comes to. No. Things are mendable, ignorable, and shouldn't be left to fester simply because of their pride.
She scales the stairs and stops in front of his door, takes a breath, and resists rolling her eyes. She reminds herself that this is the last time this is going to happen. By god, this is the last time. And she knocks.
There's no answer.
She knocks again.
Perhaps he slipped out early, and no one noticed he left? She figures he wouldn't bother to tell her, especially if he's upset about last night. He could've just decided to take a look around town, or —
Her heart sinks.
Or he could've gone back to The Bar.
She opens his door — it's unlocked, just like he said it would be — and takes a look inside.
"Gene?"
He's definitely not here. Perhaps it should be comforting to note that his bags are still in the room. It doesn't look like he bothered to pack or clean up. But he's gone, along with his coat, which leaves only two equally unhappy possibilities. He's gone back to Milliways, left, had enough of her and this; or he's out, and likely been out all night. All night with...
She rubs at her forehead. Sighs heavily. Sits on the edge of his bed and just... just sits.
Her rehearsed apology and the amendment she planned to offer suddenly feel utterly childish. She feels utterly childish, for so whole-heartedly believing she was going to set things right. For actually believing, after so many failed attempts to overcome her doubts, her worries, this — this curse she can't ignore despite how fervently people tell her to, that she could get it together long enough not to mess another good thing up.
She considers feeling angry. For the briefest second, she does. But then all she feels is disappointed. It was never going to be part of the deal to let him in enough for her to get hurt. She wasn't going to care when everything went to hell. And eventually it would, she knew that, and that was okay. It is okay. This all blew up in their faces, just like it was always going to. And she's still okay with it. It's fine.
Just don't mind the gnawing ache in the pit of her stomach.
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He's leaving a light little rash along her skin, everywhere his mouth goes. Not that Kate minds it much, it's just that it tickles now and again. She bends down to drag her teeth across his grizzled jaw.
"We might should move t'your room. Y'think?"
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'C'mon then.'
He taps her lightly on the arse, pulling back and rubbing his other hand across his jaw.
'I can shave if you want. If you can wait that long.'
He'd rather not but heigh ho, sacrifices must be made.
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His tone seems to have changed, but she's halfway afraid to ask. Gene's obviously the sort who'll say something when he feels like it, and not say something when he doesn't. Asking just gets her in trouble.
She sets one foot down and then the other, easing herself off his lap and looking at him all the same. Her hands curl around his collar and gently tug, as if she could pull him out of his seat on her own strength.
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She doesn't have to pull him up. He rises easily at the first tug, and for a second he looks like he's going to pull her in for a kiss. But he stops and pulls his key from his pocket instead.
'You go first. It won' look weird, you comin' out of your own room.'
Just in case there's anyone out there.
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"Right."
She stands there for a beat longer.
He hasn't kissed her since last night.
"I'll get you mine an' ... an' you can lock up when y'leave," she murmurs, gathering her blouse up off the floor and turning to her dresser.
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'I'm not plannin' on stayin' in here more than abou' three seconds, luv. You make it soun' like there has t'be an hour between us.'
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"No, jus' that y'need t'lock up when you leave," she murmurs, tilting her head back against his breast so she can see his face.
She slips her key into one of the hands at her waist, and then gives them both a squeeze.
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'Get goin' then. I'm right behind you.'
Literally.
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Her gaze trails from his eyes to his chin and back again, looking for ... she doesn't know what. She smiles tightly and pulls away from him, skipping every other button on her blouse for the sake of speed.
She steps out into the hall once she's back in order, walking with purpose even as her eyes are darting around for random passersby. There's someone at the base of the staircase, but they shouldn't be able to see her as long as she follows the wall.
Her fingers graze the horsehair plaster, burning the sensation into her skin.
She unlocks his door and slips in, takes a calming breath, and moves to light the oil lamp as she had done last night.
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That little encounter out of the way, he just waits until he hears him go into another room, and then walks into his own.
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The cigar gets stubbed out, and somewhere on the way over to her the waistcoat hits the floor and the rest of his shirt buttons get flicked open. His hands come to rest lightly on her shoulders befores sliding down her arms and stopping on her hips.
'Sure this time?'
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"Are you?"
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He was sure last time, but there's no way even he's going to say that.
The suspenders drop, and his fingers bunch in her chemise, pull it upwards. When it's over her head and off, he leans down to kiss her. It's gentle but insistent, no hesitation in it.
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Though, any tension that forms quickly dissipates when he kisses her. She relaxes into him, wrapping her arms around his neck, and kisses him back. Relieved, letting out a soft moan — and a smile pulls at her lips.
She pulls his shirt free of his waistband and pushes it off his body, licking her lips when they break.
"You were right. That is good whiskey."
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He lets go of her just long enough get the shirt off his arms, and to yank his vest over his head because there's no need for clothes right now. It gives him a chance to look her over properly, pouting with approval. Though he does frown at the bullet scar on her arm, now he's looking at it in the light. But it's another story for another time. He doesn't want to hear anything that might spoil this now.
His hand pulls up her stomach and cups her breast, and he's licking his lips too but it's not to taste whiskey.
'You are bloody gorgeous.'
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She only gives him enough room to rid himself of his undershirt, hands and mouth and body sticking close to the warmth pouring off him.
She smiles, a quick flash of white before she dips her head, and the tips of her ears turn rosy.
"Keep sayin' things like that..." she hums, index fingers hooking the waistband of his trousers; "an' I'll get the impression y'like me or somethin'."
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'Keep those fingers goin', an' you'll find something that'll take away all doubt.'
And he figures he might as well take his own hint. She really doesn't need to have those trousers on, does she? Of course not. He kisses her as he looks for the buttons on them, distraction in case she freaks out again maybe, or possibly because he just likes kissing her.
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He won't have to worry much. Her whole demeanor is different from what it was last night, and rather than pull away she does just what he suggested. She finds the clasp to his pants.
There isn't the same level of desperation to the way she responds to him. She's taking her time, moving slow and methodically, letting him lead without being led along.
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Seeing as her trousers are dropping down her legs and all. His hands find silk, and he pulls his head back to look, letting out a long breath. Women should always wear silk.
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Her fists curl around his slackened suspenders, right where they cinch to his trousers. She steadies herself as she steps out of her britches, and kicks them aside. And then she looks up at him through her lashes, takes a step backwards, and pulls him along after her.
"I got all dressed up for you last night, an' here I am plain."
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'I'm a bloke, luv. When it comes to bedtime, it don' matter what you wear.'
Preferably nothing, of course.
He follows her willingly, his eyes firmly on her arse the whole time. When she reaches the bed, he leans down past her to pull the covers back so she can sit down. It suddenly feels surreal. This is actually happening.
'Blimey,' he mutters, and then a grin starts to spread across his face. His boots get pulled off and tossed away carelessly, and then he just stands and looks at her, grinning like a loon.
'Took us long enough, eh?'
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"Y'look like you've jus' mined your weight in gold."
It's said through a grin to match, though she is trying to sound put off. Surreal doesn't say the half of it. It's so thought out, so planned, and yet the two of them finally getting around to agreeing on something doesn't seem ... right. She's completely out of her element.
But then, that's all right.
She reaches up to take the pins out of her hair and then changes her mind halfway, bringing her hands back down to his hips. She keeps her eyes on his as she finally decides to sit, pulling his slackened trousers down with her as she goes.
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He likes sex. He likes her (when she's not being a pain in the arse). Seems like a good time to him.
When his trousers come down, he automatically puts a hand over the bulge - protection instinct, or maybe just checking it's still there. It occurs to him that with her sitting there like that, she's at just the right level to...no. He can't ask that right off. She's not a prozzie.
This is weird. But not a bad weird. Just weird.
He sits next to her instead, and gets rid of the trousers and his socks. Right then. He's sitting in a room in the Old West, in 1888, in nothing but pants and his gold chain with a Yank girl who probably doesn't know the meaning of the word blowjob. She thinks she's out of her element?
He looks sideways at her, and grins again. It's like being twenty again, and working out how to do it with a good girl instead of one of the slappers in the working mens clubs of a Saturday night.
'Lie down, luv.'
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But she resists. Like a trooper, she resists.
There is, however, a smile on her face as she finally starts to unpin her hair.
"You first."
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